Ollantay will be streamed as a digital performance from Sunday, February 13th onwards. Buy tickets to watch the show HERE. Register your free ticket to attend the preview event HERE.
In August 2021, Sofia Fernando and Vaishnavi Shenoy, students of Christ University, Bangalore researched possible set design ideas for Ollantay as part of their internship with Kaivalya Plays. While they initially approached the designs by researching the time period and architecture of the Incan empire, they were soon given an additional challenge: How to recreate the same set for different actors working remotely from different locations and yet sharing the same scene.
Originally envisioned for a live performance at a Delhi monument, the design sought ways to effectively recreate the 14th century in an open air setting, building upon pre-existing buildings. However, with continuing uncertainty and lockdowns related to the Covid-19 pandemic, we decided to look at possibilities of staging this digitally and capturing individual performances remotely.
For this we also took advantage of several fascinating virtual tours of ruins and palaces available through the Peruvian Ministry of Tourism including a tour of the ancient Templo de las Manos Cruzadas:
And the ruins of the Palacio de Puruchucu: https://visitavirtual.cultura.pe/recorridos/MSPUR/palacio-puruchuco/index.html
From here we moved onto mapping all the required backgrounds. You will also notice that in many cases, images are split to divide sets between actors working from different locations but occupying the same location in a scene. Take a look!
Important locations in the play
Inca palace (interior)
Entrance of the temple
Temple interior (gold sheeting\)
Outside Prison wall
Cave (virtual background) and real background (alternatives)
Cave entrance (interior and exterior)
Inca palace (kings sitting arrangement)
WALLS OF THE INCAN EMPIRE - BUILD ON WHAT EXISTS
To set the the 14th century Incan Empire in modern day Delhi, we sought locations that could be adapted to recreate the heavy stones that formed the walls of Incan palaces. The rich history of Delhi's monuments and their multi-origin influences gave us an opportunity to plan how to adapt with minimal cosmetic changes to the existing structures.
1. This temple has resemblance with the structure of our Offline set location Purana Qila.
The most effective way to create that two actors working from different locations occupy the same space was to split the same background into pieces and given to two different performers. Rather than trying to add a common virtual background this would also allow us to use different cuts of the background for medium shots and close-ups.
2. Spinster's prison