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James Joyce: Immersive

🗣️ English, Hindi            
⏱️ Three stories of 20 mins each

An immersive multimedia experience based on James Joyce' short story collection Dubliners.

 

Presented by Kaivalya Plays in collaboration with the Embassy of Ireland in New Delhi, with the first story Eveline presented in collaboration with Kiran Nadar Museum of Art, Saket.

About The Experience

Kaivalya Plays and the Embassy of Ireland in New Delhi will launch James Joyce Immersive, a groundbreaking year-long cultural programme that transforms three short stories from James Joyce's Dubliners into multi-sensory theatrical experiences.

As part of the program, we will present three distinct experiences based on "Eveline" "Counterparts" and "Araby" – stories that capture the essence of Joyce's genius for inhabiting the minds of his characters. Through intimate dramatized readings, immersive audio-visual installations, and innovative staging, audiences will step inside the consciousness of Joyce's Dubliners, experiencing their internal struggles, dreams, and moments of revelation as if from within.

The programme opens with "Eveline" at Kiran Nadar Museum of Art – Joyce's masterful portrait of a young woman in 1904 Dublin caught between the safety of tradition and the promise of freedom. As Eveline sits by her window contemplating escape with her lover Frank to Buenos Aires, her internal paralysis becomes a mirror for Ireland itself—a country suspended between its past and an uncertain future. Her inability to choose speaks to something universal about the human condition, while capturing the specific mood of a nation in transition.

 

🗓️ Date & Time: Sunday 15th June, 19:00 onwards

🎟️ Tickets and Registration: Free entry with prior RSVP on EventsNewDelhi@dfa.ie

 

🗣️ Language: Available in English and later, in Hindi

 

⏱️ Duration: 25 minutes

 

📍 Location: Kiran Nadar Museum of the Art, Saket

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Direction and Design by Varoon P. Anand

Eveline, voiced by Kriti Pant

Sound Design by Anirbaan Gosh (Baan G)

Video Design and Technical Management by Gaurav Singh Nijjer

Technical assistance by Riddhijit Chattopadhyay, Kamlesh Bourai and Shivani

 

We would like to thank Ambassdor Kevin Kelly, Sophie Rogan, Armaan Srivastava, Shriya Singh at the Embassy of Ireland in New Delhi for their collaboration and guidance; Divjyot Singh, Ajay Mathews and Rishabh Kakar and other staff members at Kiran Nadar Museum of the Art (KNMA) for their support and Mool for opening up their space to us.  

Anirbaan Ghosh

Anirbaan Ghosh

Anirban Ghosh (Baan G) is a New Delhi-based interdisciplinary artist with over two decades of experience in music, sound design, composition, and production. He has studied bass guitar under legendary bass players Gary Willis and Karl Peters and is currently studying experimental music with Michael Harrison. He has contributed to critically acclaimed projects in film, documentaries, live shows, and interactive media, and has performed and recorded worldwide with renowned artists and musicians. BAAN G is also the founder of Dastaan Live, a political art rock performance project. He teaches a course on sound design and creative music exploration at Ashoka University, is the co-founder of a curatorial collective W.I.P LABS, and is the Managing Trustee of Aagaaz Theatre Trust, an arts-based non-profit in New Delhi.
Varoon P Anand

Varoon P Anand

Varoon P. Anand is the Artistic Director of Kaivalya Plays and a facilitator specializing in applied improvisation. His multi-disciplinary training includes improv training from Danielle Scott, Shawn Kinley, Elana Fishbein and Lacy Alana; clowning from Ashwath Bhatt, Gardzienice physical theatre techniques under Anna Helena McLean, mentorship in Classical Theatre by Ignacio García, and Forum theatre training from React UK. Additionally, Varoon teaches Stella Adler's Method acting, Rudolf Laban's Eight Efforts, and Rasa Theory from Natyashastra, among others. Varoon began his career in 2006 at the renowned Theatre Guild of Ancón in Panama. He has won Best Actor at the Short+Sweet Festival, as well as Best Director and Best Writer at the 48 Hour Film Festival Delhi. He has received over 20 commissions from the Embassy of Spain, Argentina, Ecuador, the Danish Cultural Institute, the Instituto Cervantes and Goethe Insitut to create work for Indian audiences. In 2018, he received the Refunction grant from Goethe-Institut to create Unravel, an improvised mental health piece performed in India and UK. In 2019, he was the first Indian to showcase at the Almagro Classical Theatre Festival in Spain with Marta la piadosa, and received the Gender Bender grant for Aguebao exploring gender and data. Additionally, Varoon has received grants the Connections Through Culture India Wales (2021), IFA Research on performer safety (2022), Moleskine Creativity Pioneers Fund and EU Mediafutures Artists for Media grant for Mining Hate (2023), among others. He continues to explore new ways to present and teach the techniques of improv, along with his other specialties.​
Gaurav Singh Nijjer

Gaurav Singh Nijjer

Gaurav Singh Nijjer (1994, New Delhi) is a theatre-maker, creative technologist and designer from New Delhi, India whose artistic works explore technology and media in live performance. He brings together his experience in design, digital cultures and data to explore new ways of engaging audiences, in the theatre, at home and elsewhere. He is one-half of the Delhi-based theatre collective Kaivalya Plays and works as a freelance artist with artist collectives in India, United Kingdom and Europe. He recently completed the German Chancellor Fellowship where he conducted a 12-month arts research project on digital theatre and hybrid performances with the Berlin-based Rimini Protokoll. Gaurav studied at the Royal Central School of Speech and Drama in London as a Chevening Scholar. His recent artistic works include ABSURDO (2023), Mining Hate (2023), Climateprov (2023), Trust Me, It’s a Forward (2023) The Amazing Flabby Breasted Virgin & Other Sordid Tales (2022) and Lifeline 99 99 (2021). As a creative technologist, his work often brings live audio, coding, live camera and video, digital platforms, APIs, automations and other digital technologies and tools onto the stage. He has previously received the Parivartan Artistic Research grant for AI in Indian Theatre, the AI to Amplify Fellowship by Goethe Institut, the Stage Jame #4 grant by Schaubude Berlin, the Befantastic AI Arts Fellowship, C3: Creativity, Codes and Community and other grants to support his work in technology in theatre. As an arts manager, Gaurav is the General Manager at Kaivalya Plays, an Indian performing arts organization known for their work in applied improvisation and adaptation of foreign-language texts. Here, Gaurav co-created the Theatre Management Fellowship, a unique training initiative that focuses on the strategic management and creative administration of theatre. Under Kaivalya Plays, Gaurav also directed Lifeline 99 99 (2021) and Luz Negra (2020), devised Aguebao (2019) and performed in Unravel (2018). He is also the Communications & Community Manager at The Nursery Theatre, a London-based improvisational theatre company with students, performers and audiences spread out across the world. He also reviews theatre and art experiences for the UK-based platform North West End UK. As an actor and director, Gaurav is a performer and founding member of The Living Room Collective and El Clavileno, the latter being India’s only Spanish language theatre group. He previously worked at one of the oldest and most prominent cultural institutions in Delhi, the Little Theatre Group (LTG) Auditorium as a consultant, overseeing their marketing operations and curating programs for their new black box studio, The Blank Canvas. His acting credits include Yasmine Reza’s Art, Manav Kaul’s Peele Scooter Waala Aadmi, Kristo Sagor’s Threesome Without Simone and Jorge Luis Borges’ Funes The Memorious, among other work in Hindi, English, and Spanish. He has previously directed plays like Alvaro Leal’s Luz Negra, Badal Sircar’s Juloos and Footnotes, inspired by Yasmine Reza’s Art. He has performed at festivals like ReConnect (2020), Old World Theatre Festival (2019), AlmagroOFF Classical Theatre Festival (2019), Thespo (2017) and has received recognition at numerous educational institutions with the collegiate theatre society Fourth Wall Productions. As a freelance marketer, Gaurav has worked with brands like Atlan, SocialCops, Josh Talks, Parallel, FreshMenu, among others, in various capacities and occasionally offers marketing, digital and creative consulting services. He has an undergraduate degree in Management Studies from Shaheed Sukhdev College of Business Studies (SSCBS), University of Delhi with a specialization in marketing (Class of 2016).
Kriti Pant

Kriti Pant

Kriti Pant is an actor, trainer and voice-over artist based in New Delhi, India. She has performed nationally and internationally, working across different styles, media and communities. She is also a founding member of The Tadpole Repertory, one of Delhi's most prominent theatre groups. She helps run the company's Looking Glass Project, a workshop program which encourages people across all ages to actively engage with and invest in the arts. She has a particular interest in working with young people and is currently devising a new performance for young audiences.
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About Embassy of Ireland New Delhi

 

The Embassy and Consulate work to promote and protect Irish interests in India, strengthen political and economic relationships, support the Irish community and promote cultural ties and the Irish arts. The relationship between India and Ireland is centuries old, and 2024 marks 75 years of official diplomatic connections between our two countries.

Address by Ambassador Kevin Kelly on Bloomsday 2025
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About Kaivalya Plays

 

Founded in 2012, Kaivalya Plays specializes in innovative theatrical adaptations of international literature. Based in New Delhi, the company has pioneered new forms of digital and immersive theatre, bringing global voices to Indian audiences through transcultural collaboration. Their artistic work includes original, devised theatre performances that are multilingual, interactive, and hybrid, use technology and media on stage, and are built using techniques of improvisational, documentary, and physical theatre. Through a focus on education, training and community, their work spans diverse offerings of programs across artistic development, language learning, mental health, gender, accessibility, and transcultural collaboration. Their work has been featured in major Indian publications and has toured internationally. Most recently, they were recipients of the Creativity Pioneers Award by the Moleskine Foundation. 

For more information, visit www.kaivalyaplays.org

Address by Varoon P. Anand on Bloomsday 2025
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